The Transformations & Translations Show will be held at The Works Studio, Gallery and Conversations: 301 W. Holly, #U3, Bay Street Village, Bellingham, WA. Stop in to see the artworks during Bellingham’s Art Walk Night—Friday, June 5 from 6 to 9 PM. And also on Friday, June 12 from 7 to 9 PM, for an evening of music, poetry and art (with musician Allison Preisinger, and poets Nancy Canyon, James Bertolino and Anita K. Boyle). This event is an “official” pop-up gallery show.
Mary Jo Maute in her studio (photo by Rifka MacDonald)
Mary Jo Maute is an acclaimed and respected artist working in Western Washington. Her art has been celebrated in New York, North Dakota, Montana, Idaho, Colorado, Wyoming, California and Washington. No wonder she’s smiling.
“Self Portrait” by Mary Jo Maute
Richly colored with provocative shapes, subtle details, and more than a few surprises, Maute’s paintings never fail to challenge and delight the viewer. At a distance, this self portrait offers an appealing arrangement of strong color areas. Then, on closer viewing, it is full of forms that suggest creatures and symbols.
“Burial” by Mary Jo Maute
It’s exciting to closely examine all the marks and areas between the forms. What the viewer brings to abstraction is very important to the experience of the painting. For example, the blue area could be a reclining person or animal. I see a bird, a goose—and the brown area could be a nest. There may be a green dancing figure with a brown paw near the center foreground. But I tend to enjoy animals and nature. None of this might be the artist’s intention, but this is what happened for me in looking deeper into the paint.
In 1997, Maute received the Distinguished Service Award from the Washington Art Education Association. She continues to offer Whatcom County residents many opportunities to learn more about art at the Whatcom Museum.
“Reading in Bed” by Mary Jo Maute
In this painting titled “Reading in Bed,” some of the shapes seem animal-like, while others might suggest an open book or a bed. Symbolically, the rectangular area could be read as both a book and a bed. The outlines create a contrast with the color forms. Much of the painted surface offers broad, soft modulations, while other areas are more stippled or even ragged. The white areas, or spots, might suggest the ability to look through the painting to what might be beyond.
Maute’s solo exhibitions include Yellowstone Art Museum in Montana, Cornish College of the Arts in Seattle, and Allied Arts of Whatcom County in Bellingham. She has received seven awards since 1982, including a Ucross Foundation Residency in 2013, and a Montana Arts Council Artist Fellowship in 1987.
Anita K. Boyle, with camera
Anita K. Boyle is an artist who is also a poet, graphic designer and publisher. She was an art and English major at Western Washington University, graduating cum laude in 1998. Her works have been exhibited at the Hanson Scott Gallery in Seattle, Loomis Hall Gallery in Blaine, Jansen Art Center in Lynden, and Lucia Douglas Gallery, Allied Arts of Whatcom County and Whatcom Museum in Bellingham.
“Municipal Circuitry” by Anita K. Boyle
Boyle’s assemblages often use her handmade paper, as well as items she’s gathered, which, in numerous ways, represent aspects of her life and the lives around her—both natural and inanimate. “Municipal Circuitry” includes washers, electrical components, part of a cell phone, a roll of copper wire and a wasp nest on handmade paper with dandelion seeds. The assemblage is placed on green ink-stained plywood under copper-foiled glass.
“Song of the Bone Crickets” by Anita K. Boyle
In “Song of the Bone Crickets,” the black clusters spread across the lower area consist of ink that dried on glass and was then scraped off in rolls. The left elephant garlic flower cap holds moth wing “petals” around a section of wasp nest. Below the garlic cap on the right are two songbird bones that appear as crickets to the artist.
“Leaf Poem” by Anita K. Boyle
“Leaf Poem” begins with a stanza of corrugated cardboard that supports a row of garden snail shells. The thin line across the cardboard is a sky-blue insulated wire. Below the cardboard, we see tea leaves, strands of ink shavings on the left and right sides, and metal fasteners, all on handmade paper. On the black paper, there is a column of poppy pods, and the main leaf-poem stanza of the artwork, which has chrysanthemum leaves in a rhythm on more paper. The ink on the right column is woven into the fasteners, and is intended to be the final stanza of the poem.
Both artists, Mary Jo Maute and Anita K. Boyle, communicate through symbolism in their artworks through different media. They use different mediums to transform their ideas into a visual format. The placement of each element within the artworks is a translation from the imagination to the visual, and has yet to be translated into language, or actual words. Artists often attempt to “write” the ineffable.
—written by James Bertolino
From the Press Release…
Two artists—Mary Jo Maute and Anita K. Boyle—will share their evocative paintings and assemblages in Prentiss Cole’s The Works Studio… for two Fridays in June. On June 5, Maute and Boyle will be present to chat with you about art and technique. Then, on June 12, Boyle will read her poems, and be joined by singer/songwriter, Allison Preisinger, as well as poets Nancy Canyon and James Bertolino.
Mary Jo Maute’s work is inspired by natural forms – the human figure, animals, plants and micro-organisms. She prefers to jump in and let the ideas, shapes and relationships emerge uncensored. Images are layered, erased, overlapped, and interconnected to create a luminous interplay between the sensual nature of paint and marks, and the intangible aspects of memory, sensation, and emotion.
Anita K. Boyle’s assemblages could be called environmental self-portraits. For this show, she will feature artworks that are language-related in some way: titles include “R Story,” “Letter from the Country,” and “Self Portrait of an Iceberg,” among others. Boyle’s experience as a graphic designer adds balance, contrast, texture and value to each piece, as much as her understanding of several art techniques—from papermaking to drawing, painting and more. Natural and synthetic materials present a communication between conflict and harmony. Stories are the inspiration for some of the assemblages; in others, a story happens as the artwork is being made, and still others tell their own stories.
About Mary Jo Maute
Former Montana resident, Maute now lives in Bellingham, Washington and works as education coordinator at the Whatcom Museum of History & Art. She earned an MFA from University of Colorado, Boulder and a B.F.A. from Daemen College in her native city, Buffalo, NY. She has exhibited in New York, California, Colorado, Montana and Washington and has work in public and private collections including the Yellowstone Art Museum, Billings, MT; the Missoula Museum of the Arts, Missoula, MT; and Deaconess Medical Center, Billings, MT. She recently completed a residency at Ucross Foundation in Clearmont, Wyoming.
About Anita K. Boyle
Poet and artist Anita K. Boyle is a freelance graphic designer and sole proprietor at Egress Studio, and a publisher of Washington State poets. She is currently working on illustrating a book of poems—The Moon’s Answer by Lana Ayers—which will be published by Egress Studio Press in both hard and soft cover, handmade, limited editions before year’s end. She is also working on several new assemblages that use handmade and naturally-made paper, which you can see at the July juried exhibit at Allied Arts of Whatcom County. New poems are also in the works. In 1998, she graduated cum laude with a BA from Western Washington University (Art and English majors.)