Next week, Nancy Canyon, Susan Erickson and I will show collage and assemblage artworks at the Loomis Hall Gallery. We hope you can join us for opening night on Friday, October 8 from 6 to 9 pm. The Loomis Hall Gallery in an exciting new space that was once an opera house… in Blaine. The building is freshly remodeled, and houses artists’ studios and a gallery. The gallery is located at 288 Martin Street, Blaine, WA 98230. Other local artists who will be showing work include Steve Satushek, Whitney Krueger, James Williamson, Scott Worden, Art Hohl, Katie Johnson. This show runs through October.
Be sure to look at the bottom of this page to see the slideshow of works. Here’s a little about us and our artworks…
Nancy Lou Canyon believes in wild mind as the source of all creative work. She says, “It’s a practice in letting go that makes good art. The less one thinks, the more surprising the results.”
Ms. Canyon grew up in Spokane where she began her lifelong love of collage, painting, writing, and dancing. Her formal art studies include painting, pottery, and illustration through Spokane Community College, Yakima Valley College, and with painting instructors such as Charles Palmer and William Elston. She studied Visual Communication at NW College of Art. She holds the MFA in Creative Writing from Pacific Lutheran University. In her Fairhaven art studio, located in the Morgan Block Building, she paints and teaches writing and multi-media classes. To view more of her artwork, go to www.nancycanyon.com.
Susan J. Erickson:
Playfulness, whimsy and the surprise juxtaposition of elements show up in Susan J. Erickson’s assemblage and collage work. She will exhibit pieces with baby clothing and vintage photographs, items collected from nature, repurposed objects, a group of fabric Renaissance potholders and a series of altered bingo cards.
Anita K. Boyle:
I’ve belonged to the Pacific Northwest since birth. My art is composed from a solid passion for the nature, language and culture of this area. I enjoy creating assemblages by combining found objects from nature and technology, which together describe the current Western Washington environment. The inspiration for some of my assemblages comes from my father, who was an electrical engineer.
The objects used in my assemblages vary greatly, and include resistors and capacitors from sixties electronics, evergreen pollen, jewelry parts discovered on a well-traveled road, wasp nests, bullet casings from the North Fork trails, snake skin, computer components, insect wings, pieces of printer cartridges, license plate parts, bird bones, feathers, egg shells, fishing lures, toys found in the dirt a decade after my kids lost them, and the carapaces of dragonflies. I made paper with cottonwood and cattail fluff, flower petals, ants—and the list continues. I put the assemblage parts together like I write poems, balancing one part with another, adding rhythms and texture, ripping pieces in half, starting over. But metaphors run through it all, and help to decide what stays and what goes. Things that don’t normally go together often end up supporting each other in the artworks.